In composing, Vivaldi broke the standard Gloria text into 11 sections, each of which is given a discrete musical setting. Having been long buried - with a host of other unknown pieces in a pile of forgotten Vivaldi manuscripts - the Gloria had its first modern performance in the fall of 1939. It is remarkable to think that for two centuries after Vivaldi's death the very existence of this beloved work was unknown even to Baroque scholars, and that it was only rediscovered in the late 1920s. It was sometime during the next few years that Vivaldi put to paper the now-famous Gloria in D major for vocal soloists, chorus and orchestra (RV 589). Up until that point secular music had been his bread and butter, but he then turned his attention to the composition of sacred choral works, some of which became the finest treasures of his vast musical output. During the year 1713 there was a shift in Antonio Vivaldi's responsibilities as maestro di violino of Venice's Pio Ospedale della Pietà .
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